Tuesday, 31 December 2019

Looking back

This time last year I wrote a blog, looking back on some workshops I'd attended and various unfinished pieces I needed to work on in the New Year ... and unsurprisingly, I have to admit that several of them are still waiting! This year my thoughts have turned not to the unfinished but the finished - our Revealed exhibition, which we really enjoyed sharing with the many people we met in 2019.

I'm in the middle of updating our Gallery page and looking back and remembering the reactions and various conversations we had with visitors about our work. So, I thought I'd share some of my memories of our year here. Our exhibition, 'Revealed', explored our individual approaches to the idea of what is seen or unseen, using unconventional viewpoints, revealing various hidden layers - in the physical world, in our emotional landscapes and also in our work itself. As always, we came up with a variety of ideas.

Some of our work came from a very personal perspective - most notably, Becca's work relating to her deafness and the response to them was very positive, particularly from the deaf community. Becca has written her own post here eloquently describing her feelings and the various conversations she had. I just remember the smiles and excited faces of the members of the deaf community I met, as I pointed out the inspiration behind the work - leading to the following comment in our book, 'Very impressive work - from deaf fellows'.


The Hidden Face


Hidden Deafness 1/3

Hidden Deafness 2/3


Hidden Deafness 3/3

Bernice was also inspired by a personal accident for the following machine-stitched piece 'Hidden Support', described here in her own words: A personal journey about my breaking my fingers in 2018. The base of the piece is made from the two muslin slings I was given. I kept a photo diary of my treatment and recovery and most of these photos were printed out on cotton fabric. The top layer is made from the hospital appointment letters. The tags show the dates of the appointments up to December 31st.



Visitors were fascinated to learn of the story behind both this and also the following piece. I saw many a smile on the faces of people, reading the label for 'My Mother Said' and pointing it out to their friends. The label said: On the first layer I wrote about my mother disapproving of even a bra strap showing, unlike now when almost anything goes!

My Mother Said
Mixed media distressed vest, made with paper, fabric, stitch and beads

As the following comment shows, some people were very interested to find out the stories behind our work: 'An amazing display of work and so interesting to hear the background of some of the exhibitors'.

Vicki also found inspiration in the human body and biological structure, here exploring hidden vulnerability and disease. This wonderful, delicate stitching showed the fragility of osteoporosis.

Osseous

The inspiration for this was of great interest to some, maybe with personal experience of the disease, and some commented how good it was to have a common theme running through an artist's work. However, it was interesting to listen to other conversations about this piece as it was clear that it wasn't necessary to know the inspiration behind it to appreciate the work, as is also often the case. It's seen here displayed as it was on a wonderful glass head ...



... which led to many people discussing its suitability as a fascinator and one loud comment, 'It's beautiful - I'd wear it for my wedding!'

Deb's fabulous 'unwearable' dress was also very popular, with many people commenting on the wonderful texture she has created on the surface. The general consensus was that it was definitely wearable - someone wrote the following in our book: 'Green outfit absolutely beautiful. Could definitely be wearable. So beautiful and so clever to be able to have the foresight'.


Another of Deb's pieces which was greatly admired was her beautiful stitched piece - just stunning!




In some cases, a personal response to the work came from a shared experience with a visitor, which was the case with these wonderful needle felted landscapes from Dia. They grew out of her recent holiday in Namibia ...


Sossusvlei


Deadvlei

... and 'Deadvlei' in particular brought back very happy memories of a very special place for one visitor, who talked excitedly with Dia about the work for some time. She had lived in Namibia for many years and wrote in our book: 'Beautiful work. Such skills ... and the picture of Deadvlei, Namibia is a treasure!'

Several of us chose to use wet-felting with resists techniques for 'Revealed', as these close-ups show.



In 'Spiral Space', I challenged myself to do a large spiral resist and it ended up being the largest piece of wet felting I've ever done - physically, quite hard work and definitely a challenge! However, I was very pleased with it and had many conversations about how I had worked it and the various methods I had to use to make the spiral stand up.


Spiral Space
Wet felted with spiral resist, yarn, threads and pre-felted shapes, hand & machine stitch

Another of my wet-felted resist pieces which drew comments was 3D - the vessel, 'Rainbow Totem'. This had multi-layered resists and one of my favourite colour combinations - orange, red and turquoise. After I'd pointed out 'Spiral Space' to one visitor as wet-felting with a resist, she rushed instead towards the vessel, saying, 'Ooh, I like the spiral, but I lo-o-o-ve this!'


Rainbow Totem
Wet felting with resists, nuno felted with silk chiffon

This also had some nuno-felted areas and so combined felting techniques, learned on separate workshops with two inspirational felters, Caroline Merrell and Clare Bullock. The joy of learning new techniques and sharing ideas within the textile art community is important to me and also a very special part of my reason for doing exhibitions. I hope that sharing our work, as we do, also plays a small part in inspiring others - which is why this is possibly my favourite comment of all written in our book this year: 'Thanks for your information and inspiration. I am going to have a go!'


So, we say goodbye to 2019 and 'Revealed' and look forward to next year, where our theme will be 'Senses'. I'll close with one more close-up image of my 'Starshine' lampcover, also inspired by another wonderful tutor, Alysn Midgelow-Marsden, which drew this comment in our book: 'Starshine is spectacular! Magical!'


Starshine
Copper shim and mesh, stainless steel fabric, heat treated,
zapped layered synthetics, hand & machine stitch, sequins and beads

It brings spectacular and magical 'Happy New Year' wishes to you all with love and thanks from all of us here at Traverse.


Cath

Thursday, 10 October 2019

Q&A with Dia

For our fourth Q&A session, I'm going to speak with Dia - Dia is one of the founding members of Traverse and her gorgeous work is often posted on the group's Instagram.

Who are you?

I'm Dia, I've always liked being creative, even from a young age, enjoying sewing, knitting and hand embroidery. I became very interested in Modern Art as a teenager.

How did you get into textiles?

After retirement, I  reconnected with my creativity and decided to investigate other media to increase my skills. I like strong colours, shapes and abstract images. My current work, exploring different media, reflects that, as well as my early interest in Modern Art

What are your creative influences and What or who inspired you?

My secondary school art teacher inspired me and introduced me to modern art. I started to look at Modern Art and liked the paintings and styles of Karel Appel, Piet Mondrian, Marc Chagall and Franz Marc. In the sixties, Finnish art and design influenced my art. As a 15 year old I was inspired by the Franz Marc horse painting and printed my version using a template of a horse.


Template of a Horse, 1959



Printed onto Paper, 1959


Printed onto Linen, 1959

What inspires your work? 


What I hear and see around me.



Mixed Media Twisted Vessel.

This vessel is my first textile piece I made at an embroidery group and it encouraged me to explore textiles further.

What are your favourite techniques to use? 

At the moment, I am exploring Embellishing, Needle-felting and Wet-felting techniques.



Sossusvlei Nambia


I visited Sossusvlei Namibia on holiday and the vibrant colours of blue sky, orange sand dunes and brown dead trees inspired me to needle felt this picture.

How did find your creative style?

I am still developing a creative style and am learning new skills and techniques by doing workshops.

Describe your style in 5 words

Colours
Shapes
Abstract
Images
Slow


What do you do if you hit a creative block? 

When I have creative block, I leave my work until the answer comes to me on how to proceed.

Do you dabble in any other crafts/art?

I enjoy flower arranging.


Dia


Thank you Dia, it's been great to find out more about you. 

Becca 

Thursday, 19 September 2019

West Country Quilt & Textile Show

This is the second time we have exhibited at the West Country Quilt & Textile Show.  It is one of our favourite venues.  It is a conference centre and has excellent lighting.  Better still, it has an amazing atmosphere.

This year we shared a stand with On The Surface.  We each had a wall for our own exhibition and a wall between us for our joint exhibition Please Touch.

Cath, Becca and Deb were ready and waiting to greet the many visitors to our stand.


Cath demonstrated needlefelting on the Embellisher whilst Dia used a needle and brush.


It was so great to see the number of visitors who were interested in our work.



Here's part of our Please Touch exhibition - this photo mainly showing Becca's work about deafness.


And on the table more pieces for people to touch.  Some people found it really difficult to touch pieces.  They are so used to exhibitions having Do Not Touch notices - but that was the whole point of our exhibition.  We had made pieces deliberately for people to touch. The idea was suggested by Deb Day who worked with Sense, a charity supporting deafblind people and those with complex disabilities, helping them communicate and experience the world.


Revealed

We also exhibited our Revealed work.  Becca's work on sounds and deafness hung above Bernice's piece about her broken fingers.


We tend to hang our exhibitions by colour rather than artist.  Although some of us have a particular colour palette we work with so our work may be hung altogether.  Deb made the spectacular green dress called Gaia.





Deb had also made this beautiful dress which stood alongside Cath's felted spiral at the edge of our gallery and attracted the visitors in.



As you look at the next few photos, you will see how varied our work is.  That's what makes us 'Traverse'.





Our next exhibition is at the Big Textile Show at Leicester Racecourse.  We hope you will visit us there.

The Traverse Team


Tuesday, 27 August 2019

Funky Felted Abstract

The West Country Quilt and Textile Show opens on Thursday and runs through till Saturday. This year, we will be teaching a workshop for the first time and we're looking forward to sharing our ideas and expertise. We have sometimes been asked by visitors and show organisers and so decided to take that next step. Last month at Deb's studio, we enjoyed planning and sorting out packs of resources, which means that we will also have some kits with instructions for sale on our stand (G48).

Look at these lovely fibres waiting to be packed!




Thanks to Vicki for making this mountain of rice bags to use as felting mats!


When we shared our ideas with the show organisers, they came up with the title 'Funky Felted Abstract' and we quite liked it so it stuck! We will be needle-felting a square of individual abstract design to decorate the cover of a 6 inch square sketchbook, using a variety of fibres, threads and textured yarns with added simple embroidery. Here are some of the samples we made with different colourways.



... and here are some finished and stuck onto the sketchbooks.




We will be running the workshop daily at 12.30 and demonstrating needle-felting techniques on our stand at the show. In the mornings, we'll be using some of the beautiful fibres and yarns to show how we made the workshop samples and in the afternoons, we'll be using the Janome embellisher in various ways, as usual. If you are planning on coming to the show, we'd love to see you for a chat about our work.

We're heading off to Bristol tomorrow to set everything up ready for Thursday. Looking forward to it ...

Cath

Thursday, 22 August 2019

Please Touch

The West Country Quilt & Textile Show is now just a week away and we are really looking forward to it. This year, for the first time, we will be sharing a larger stand (G48) with our friends at On The Surface. Alongside our current exhibition, Revealed, we will be collaborating with them in a collection of work, entitled 'Please Touch', where visitors will be actively encouraged to explore it by touching. This was suggested by Deb, one of our members, who has worked for a long time with Sense, a charity supporting deafblind people and people with complex disabilities, helping them communicate and experience the world.

As you can see below, we have come up with some very different approaches to the idea:

Deb

Deb has woven a varied collection of fabrics, yarns and threads to make a beautiful bag, lined with silk and decorated with dangling beads - just fabulous.

 

 


 


Bernice

Bernice just loves hand printing wonderful fabric and here she has done exactly that, after making her own printing block, shown below.  She is piecing it together with some more of her amazing hand printed stash to make a wall hanging. There are plans to sew on some added extras, which will make it very interesting to touch. Can you guess what they might be?

 




Dia

Dia's first piece may look familiar as it has been featured in our other social media - it is a sculptural felt with metal inclusions, which she made during a workshop with Caroline Merrell at the the Felt Foundry. Unusually for Dia, who often works in bright colours, this is wet felted with Piiku Finn wool fibres in a soft grey colour, which contrasts well with the shiny surface of the metal.

 


Dia has returned to one of her brighter colour combinations here, wrapping a canvas with thick wool yarn and attaching some coffee pods, which will be fun to play with!

 


Spot the difference between the previous image and the following finished piece ...



Becca

Becca is continuing her personal exploration of deafness with three stitched pieces in simple black and white but the work is anything but simple. Showing the incorporation of braille to link with this 'Please Touch' exhibition, these photos are of complex work in progress.


 



 




Vicki

One aspect of Vicki's work for this exhibition has been making some wonderfully tactile needle felted balls, as yet untitled which are also in black and white and decorated with tiny beads. They will possibly be displayed, hidden in a container, enticing you to feel inside.

 



Vicki has also been exploring ideas around consent with the following wall hangings of sculptural felt, also in muted colours with texture created by the felt manipulation and beautiful stitching. More work in progress, with a provisional title of Acquiescence ...



Cath

This last work of Vicki's reminded me of a vessel I had, lying somewhere in a container of its own, with the stitching half finished and I've resurrected it to become part of Please Touch.






Another older piece of my work has been featured here on the blog last year with details of how it was made. Painted, printed and stitched woven card, it was part of a Summer Challenge for my local Embroiderers' Guild and had never been exhibited, so I only had to mount it on a painted canvas and protect it with acrylic wax.



My final piece has also been glimpsed before on our social media but not in its finished form. I have always been fascinated by 3d mathematical forms and have enjoyed attempting simple fabric origami. I was reminded of this particular kaleidocycle form by the triangles of Bernice's folding book, 'The Road Not Taken',  and after spending some time deciding how many triangular sections I wanted, I chose this simple version and set about making the felt for the triangles with my embellisher. After machine stitching, I cut out the triangles, added some hand stitch and beads and assembled the piece, waiting with bated breath to test whether it worked ...

 

    



... and it did!




If you're coming to the West Country Quilt and Textile Show next week, please feel free to come and explore these exhibits and more from Traverse's collaboration with On The Surface. On Stand G48, we are also showing our 2019 exhibition, 'Revealed' and would love to see you there.

Cath

Hot off the press - well, actually hot off Whats App - Bernice's hanging is now complete with added extra 'fiddle bits' and looking fabulous!